Main : Timeline

So I’ve been listening to The Incomparable Podcast’s post-mortems of the Star Wars prequels, which I would recommend everyone have a listen to. They cover how wooden the acting is, how creepy, leery creepy Anakin Skywalker is, and how in the end, the character portrayed – a whiny little idiot (no really, a genuinely ignorant brick-stupid person, who gets played for a fool) isn’t recognisable as the Darth Vader that we see in the actual real star wars films – a dignified, menacing, capable and above all, self-assured, enforcer and fixer.

So, in light of listening to all of this, and the Redletter Media critiques, I thought I’d have a bit of a go at how I would have structured the star wars prequels – cause if there’s one set of films that’s in a dire need of a reboot, it’s Episode 1, 2 & 3. This isn’t going to be a full narrative or fanfic, more a loose collection of elements could be done differently to make for more compelling plots, and more believable characters. Largely it’s just an exercise on my own part to work in a world I didn’t create.

Disclaimer: I’m not going to claim that any of these ideas are unique or original – I’ve only seen the films (and owned the toys / McDonalds meal cups etc when the holy trilogy first came out), not any of the extended universe, but they’re thoughts I’ve had without knowingly taking from other sources.

The Force and its relationship to the Jedi & Sith

Midichlorians are gone – a mechanism isn’t necessary.

The Force works differently depending on whether one pursues the light or the dark side.

• Light: The user becomes more and more powerful as they age, culminating in the ability to become a force ghost when they die, if they live long enough. Actively using the force to effect the world slows down one’s development – it works like compound interest in a savings account, and it costs every time it’s used.
• Dark: as above, with age comes power. The Dark Side can prolong corporeal existence, but when one dies, that’s it. Using the force to effect the world speeds up one’s development – it works like an exercised muscle.
• They cancel each other out – so pursuing one path reduces the time available to pursue the other to its critical mass of immortality.

This sets up the Jedi as conservative, passive – avoiding conflict and devoting themselves to meditation because they have an eternal payoff at the end, which they risk if they die too young, or are too profligate with their Force use. Their “negotiation” skills are more about jedi mind tricking the various parties, than combat. Their martial skills are of prime importance when combat is required, because they need to avoid using the force in an active manner.

The Sith get a vampyric element to them – they can speed up their development by harvesting other force-users, both Sith and Jedi. Their almost mythical status is because it’s rare for a Jedi to meet one and survive – they fight and use the force so aggressively. If a Jedi is “eaten” by a Sith, they don’t get to be a force ghost – they’re gone completely.

Like elephants, their strategy is to get so powerful that they have no natural predators left, and can live out a perpetual corporeal existence.

Biology and the Force

He’s more machine than man now, twisted and evil.

The force depends on bodily integrity – losing a limb will permanently retard development and reduce one’s end-potential. This is why Darth Vader doesn’t get to the level of having force lightning, and is instead more reliant on the lightsaber than a Sith would normally be. His shot at immortality is that there’s less of his human body left to preserve, the technology can keep him going in lieu of the reduced preservation abilities of the Dark side. General Grievous is a great example of a Sith that has been so thoroughly damaged that now he’s only a collection of organs, and there simply isn’t enough meat left of him to channel the force at all.

Above all, the Jedi, and to a lesser extent the Sith, are body-proud.  Anakin’s loss of a hand is part of what sets him on a path to the Dark Side – knowing that he’ll never be as good as he should be because of his “imperfection” gnaws away at him, beginning the slow poisoning his mind.

 The Political Opening

The Jedi Council could actually be ghosts as far as the eye can see, like the city under the mountain scene in the final Lord of The Rings film. Their inertia against taking personal risk is symptomatic (and possibly causative) of the general malaise within the galactic society at the time – democracy is failing, the government is ruled by a corrupt bureaucracy, and corporate thuggery is effectively oppressing the galaxy. The Jedi experience none of this, and what they see of it, it’s not their place to get involved unless the bureaucracy requests it, which only happens when it’s actually helping the corrupt.

By positioning the Jedi as actually being bad guys from an objective standpoint, Anakin has a legitimate reason to hunt them down and destroy their power structure. Darth Vader has no reasonable motivation unless he’s righteous in what he does – he has to believe the Empire is achieving something.

Anakin’s Fall

The Jedi’s refusal to act when the clone wars erupt (could be nothing to do with the creation of stormtroopers) culminates in entire planets being devastated (which neatly mirrors the Empire later creating a device for that specific purpose) – genocide occurring over and over. Anakin is expelled from the order for trying to rally the people of a planet which is to be cleansed. The great crime of “getting involved”.

The Creation of Darth Vader

Anakin turns himself into Vader, the cyborg. His climatic transformation occurs as he’s fighting his way through the Jedi temple. He fights more and more ferociously, as we see Luke do at the  end of Return Of The Jedi, but using the force, and being injured in the process. In one of the minor boss battles during the process, he loses an arm, and rips off the arm of a robot support soldier, and using the force, fuses it into his body – much like Tetsuo using telekinesis to make an artificial arm in Akira. This process continues, a leg is blown off by a laser, and he rips a robot’s leg off, making it into a functional limb through sheer force of will, depleting his light side reserves, and so he takes the final step, and consumes the next Jedi he encounters, becoming a Sith. He eventually works his way through the temple, killing, consuming and being shot and chopped up, until by then end, he’s a patchwork of different bits of robots, and all the Jedi are dead and consumed.

And he never says “noooooooo” – the best bit from The Incomparable was one of the panellists suggesting that Vader’s first word post-transformation should be “good”.

Once Vader is created, and the Empire established, he is a peacemaker. Sure the “stop fighting or I’ll come back here and kill all of you” form of diplomacy is a bit arbitrary, but he’s seen what galactic conflict and genocide, and “not getting involved” can do. He believes in what he’s doing. He is, in his worldview, the good guy.

Related to that, do we ever actually see The Empire do anything “evil” outside of the scale of what it is? Is the destruction of an entire planet with a terrorist leadership that much worse an act (in terms of scale) for a galactic government, than the American government nuking a couple of Japanese cities? You don’t see storm troopers beating civilians in the streets, you don’t see The Empire using slaves – they genuinely come across as an effective professional military trying to do a difficult job, keeping peace on a galactic scale. Calrissian complains about taxes levied on Bespin, as if being required to follow regulations in the extraction of natural resources, and paying taxes on your earnings is the very face of despotic evil.

Nope, I’ve decided The Empire were actually the good guys.

Edit: Please note, while this article is still valid, as of 2021 I have moved my efforts towards publishing on an independent web store.

Something that’s been of interest to me lately, is why so few of the local comics people I know publish on Apple’s iBooks store. It seems obvious to me why you would, but I can also see the reasons why you wouldn’t – it’s a single platform (Mac and iOS) reading solution, and requires that you have an American taxation registration. There’s also only one graphical tool for producing books for it, InDesign Creative Cloud, which is a $20-$30 monthly subscription cost (or $240/year). Note, Apple offers the iBooks Author application, but it doesn’t do paginated reading, or allow images to be zoomed larger than full screen.

But, if you were to look at iBooks, here’s a list of the reasons to compare against whatever solution you’re using currently:

• Revenue Cut: The basic revenue split is 70% you, 30% to Apple. Any other comics reading / buying app that offers in-app purchasing means the app vendor is paying you out of their 70% cut of the cover price.
• First Party Application: iBooks is already on the device, and customers can buy books within the application.
• Price Control: Apple can never override your price to discount your book and lower the market’s expectation of the value of your work.
• Product Control: You do all the authoring, Apple doesn’t change your files, resize your images etc. What you create and test, is what the reader gets.
• Preview Control: You can author the preview separately to choose what it contains, and Apple adds a page with a “buy full version” button to the end.
• Free Books Cost You Nothing: Offer your books for free, you don’t pay any fees at all. If you’re only offering free books, you don’t even need to fill in the financials and tax information.
• Quick Approval: Apple claim that 90% of books get reviewed within 1 day. In practice I’ve found it takes about 7-10 days from submission to being on sale.
• Copy Protection: If you want to use DRM, Apple’s solution is unobtrusive and effective. If you choose to go DRM-Free, your file is still watermarked to the buyer, so you can get an idea of where that torrented version originated.
• Analytics: live sales and revenue data broken down by territory and exportable to spreadsheets.
• Good Tech Support: I’ve only had positive experiences with Apple’s book developer support staff. They have an Australian freecall phone number, and the staff take ownership of issues.
• No Multiyear Contract: You can pull your book from the store or suspend sales at any time. People who’ve already bought it will still be able to download it, but it won’t be available to anyone else.
• No Exclusivity Requirements: you can put your book in any other store (the iBooks Author application, which isn’t really good for comics, only produces files for the iBooks store).

It’s time for a bit of recreational Kremlinology regarding Apple’s strategies.

When Intel and Apple brought the Thunderbolt interface into the world, there were a lot of interesting possibilities created. Thunderbolt being essentially the PCI bus on a wire, many peripheral solutions that were previously done with internal cards, could now be created as breakout boxes, which could serve both desktop and laptop users.

Since Thunderbolt is capable of carrying all of the other peripheral busses, one great solution it enabled was Apple’s Thunderbolt display, which could act as a peripheral hub for a laptop. You plug power into the display, and then the display has an upstream cable which branches into thunderbolt, and Magsafe power for the laptop. So with that one cable, your laptop effectively becomes a desktop (and your laptop’s power adapter stays in your travel bag).

My 68 year old mother, who is an accountant, uses this solution. She has a light, compact, 13″ Macbook Air, with which she travels interstate every quarter to work with clients. In her home office she has the big display, keyboard, mouse etc. On the road, the system is light & compact, at home it has screen space for her MYOB Windows VMs, remote desktop sessions with client computers etc.

The new Macbook isn’t set up to do his. It’s only external display options are HDMI and VGA, and with no Thunderbolt due to its sole USB3-C port, arguably, it never will.

It remains to be seen whether this is a repeat of the goof that was the original 13″ Aluminium Macbook (which dropped the firewire of its polycarbonate incarnation, only to regain it in the next revision), or whether this is a new paradigm of less versatile Macs, which have a narrower but deeper usability. By forgoing all the ports that make a laptop able to be both a portable, and desktop, Apple have made a computer that is arguably better when it’s being a portable.

The question is whether this will make its way into the rest of the laptop lineup. If so, I think we can probably say that the paradigm that Apple is heading towards, is this: People who need both desktop and laptop usage scenarios, should be buying a desktop and a laptop, and then using Continuity to move their work state between devices. The net result of more device sales for Apple is obviously just a happy coincidence.

One of the problems I’ve had using Apple’s (now end-of-lifed) Aperture photography software, is that it doesn’t make changes to an original RAW file. Everything changed within it is done using versions – essentially metadata – so that you can have a dozen different variants of a file, but only ever have one taking up space on disk.

It’s a great idea, except when your original has a problem, like for example the camera has recorded orientation information that you don’t want applied. Aperture provides no way to alter the RAW file. You can create a rotated version in Aperture, but exporting the RAW will output the original un-rotated edition.

The solution is to use Nikon’s own ViewNX software. It’s ugly as sin, not at all Mac-like, but when you rotate a RAW file in it, the file on disk is rotated, while staying as a RAW.

Then, you have to reimport the image as a new file, and delete the old version. Simply replacing the old one with the rotated version in Aperture’s library won’t show up as having been changed when you re-launch Aperture.

With the update to iOS 8, Apple obsolesced the iOS version of iPhoto. Notwithstanding that iPhoto was a paid product, which is made unusable without warning, the replacement has certain issues.

The replacement for iPhoto is an expanded set of capabilities for the Photos app. What it doesn’t have, however, is the ability to view EXIF data for the images, so if you’re using the iPad to triage images in the field, you can’t see any of the technical details of your shots – no aperture, iso, shutter speed or anything. Worse still, when you try to edit images…

Photos can’t perform more than a single edit on an image without it pixelating like this.

These add to the commonly held view that things at Apple are starting to go off the rails, at a systemic, company-wide level. Within Apple’s software efforts, new features are being brought to market before they’re thoroughly ready. More importantly, old working solutions are removed from users’ systems before their replacements are up to the task.

My first attempt at a little planet shot with my Nikon D800 and 60mm lens. 142 images total went into stitching this together. This is a proof of concept – as you can see the flare in the lens to the right hand side. I’ll control for that in future

There’s a theory, mentioned fairly often on websites like Cracked.com that certain ideas have a time, that there are points in history where the sheer pressure of events, scientific & social progress causes a leap that is distributed around the world. The common knowledge of society as a whole reaches a certain level, and then, simultaneously, multiple unconnected people invent the same thing in different parts of the world, because what has come before reaches this specific brightness that more or less illuminates the road ahead.

OK, enough of the metaphors – point being, I’d always found this idea interesting, but while I know intellectually that coincidences are actually very common, for instance the Birthday Problem posits that you only need 23 randomly chosen people to get a greater than 50% chance that any two will share a birthday, I’d never really experienced one until now. To be honest, it’s left me feeling a little shaken.

So, the backstory – I was recently given the 2011 film Limitless to watch. I hadn’t seen it, but remembered the title. Upon reading the blurb on the back of the box, I had something of a shock. Edited here to show the bits, upon which I locked my attention:

Aspiring author Eddie Morra … is down and out … revolutionary new pharmaceutical … allowing him to realise his full potential … he can recall everything

Now, to provide some context, this is the current blurb for the first part of my graphic novel series Surfing The Deathline:

Sometime in the near future, software codemonkey Eddie is down to his last few dollars. Unemployed and living on, or rather under, the streets, he’s also facing “repossession” of his organs to cover student debts.

Now he’s been offered a job, a job that requires he risk his sanity taking an hallucinogen that’ll give him a chance at subverting a Machine Intelligence for a few critical minutes.

Character name – check. Character’s life situation – check. Neuro-accelerator drug as the macguffin that enables the story – check. Vivid recall of memory – check.

At this stage, I was more than a little freaked out. I’d been working on the book for a looooong time. The first print publication was for Supanova Sydney in 2006. Had someone read it, and lifted some ideas? That seemed unlikely – noone in their right mind would copy a work, and then keep the character name, right? Thinking it was a funny coincidence, I decided to tweet about it, and yes, it gave me an excuse to promote one of my books:

“Limitless” a 2011 movie in which down & out “Eddie” turns to neuro-accelerator drugs. Seems familiar… (2006) http://t.co/ExoJHOZSDb

— Matt Godden (@golgothaspace) January 7, 2015

Looking at the IMDB page for the film, I saw that it was based on a novel by Alan Glynn, The Dark Fields. So, I look up the book, and good lord, published in 2001! Stranger still, the ending, well without revealing spoilers it’s ultimately similar. Feeling like a bit of an idiot, I tweet:

Well fuck me, based on a novel The Dark Fields from 2001… Around when i started #SurfingTheDeathine #HumblePie #FreakedOut

— Matt Godden (@golgothaspace) January 7, 2015

And that’s when a sick feeling began. Glynn’s work was published first, I hadn’t ever read it, but still… hang on, isn’t this the Stephen King story Secret Window, Secret Garden? I went to my working files, to see if I could find the documentation for the dates that Surfing The Deathline began production. February 2001 is the oldest metadata I can find – an old Infini-D 3.0 file, the model for an underground location where my Eddie enters the story.

That gels with my timeline for when I would have been working on it, so at least I feel confident that if anyone were to be as hasty as I was initially, jumping to conclusions about the genesis of works, that I’ve got a fairly reasonable documentation. Gotta say though, It’d be fascinating to have a chat with Glynn and see if that one moment was a case of two ships crossing, or of travelling in the same lane.

Once Surfing The Deathline is complete – and to be fair, it’s really only the original first half of the story that tracks with The Dark Fields (as far as I can see) – I’ll read Glynn’s book. From the blurb, it sounds fascinating.

So my current phone, an iPhone 3GS which I bought outright in 2009, has been getting a little long in the tooth. I’ve been thinking about options for replacement, and had pondered trying to get an old stock iPhone 5S through a 3rd party retailer, since they’re still available in a 64gb version. The iPhone 5S models Apple sells since the iPhone 6 release, are 16 & 32gb only.

So, I went to the Apple store to check out the feel of the current lineup. In short, neither of them are particularly nice.

The iPhone 5S feels cheap and hollow. It’s too light for its apparent volume. While the rectangular design is pretty, it’s an unpleasant object to hold in your hand.

The iPhone 6 is a completely different experience. It’s heavier, having what feels like the correct weight for its size, or rather, the correct feeling of density for its size. The screen is tremendous, and looks more real and less like a screen than the 5s, I suspect because the panel is closer to the surface of the glass. While the curved back and front edges feel fantastic in the hands, the simple fact is that the phone is too big. In order to hold it in a way that’s comfortable for reaching the home button, so much of the phone cantilevers out over the top of your hand, that you never feel it’s safe unless you’re gripping onto it. Contrast that with my 3GS:

 Here I can sit the phone in my hand, and use it without any need to physically hold it in place, the weight and shape of the phone keep it in place.

Added to this, the glassy-smooth surface of the iPhone 6 simply feels too slippery. Combined with the projecting into space cantilever, every second of holding it resulted in buttock-clenching terror.

The only thing I’ve held that felt less secure in my hand, was a live, wriggling fish.

Now, I could, and probably would, get a leather or silicone skin if I was going to buy this phone. That would alleviate the slipperiness, and ensure that the camera lens wasn’t projecting out into space from the back of the phone – which is another mark against the iPhone 6. However, it would make the phone even bigger.

So, I think I’m going to sit out this round of phones, yet again, and stay with my 3GS. Perhaps when Apple makes a device with an iPhone 5S (or smaller) sized screen, in an iPhone 6 denisity and shape, and gives it 64gb of storage, I’ll look into buying again.

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