Matt Godden

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Week 52 of 52

And that’s the final week done. A year of work, and a year of weekly blog posts.

In the last week I was mostly occupied with getting the new Derby Daze photography eBook done, and submitted to the iBooks Store. Development was substantially faster than the previous one – all the work I put in developing templates is now paying off. I’ve also been working on the eBook versions of Surfing The Deathline. With the templates done, they’re coming together super quickly.

Sometime during the next week, I’ll put up a final year wrapup post.

Oh, and someone in Europe bought The Metaning this week, which was nice.


And that’s the end of Aperture

Well, after all my problems with Aperture’s book printing, Apple has now announced that Aperture is being end-of-lifed. This brings with it conflicting emotions.

Aperture was developed in a time when the general Mac OS was somewhat more primitive than it is now. The capabilities demonstrated in the WWDC 2014 videos show that quite a lot of Aperture’s abilities have been migrated into the OS as a whole, and Aperture is to be replaced with a (lighter weight) iCloud-focussed Photos app. One of the themes of WWDC has been that applications are now highly plugin-able. One of Aperture’s great weaknesses was that third party filters and effects weren’t non-destructive. So if you wanted to apply a border to a photo, it had to be flattened into a TIFF file (an extra 100+mb for a whole image vs an insignificant addition of metadata to the original RAW file), and the border applied to it – negating the purpose of shooting in RAW.

The non-destructive plugin-oriented paradigm Apple unveiled at WWDC leaves me hopeful that even if Photos is a stripped down product from Apple, whatever is lost will be able to be replaced by third party plugins, which won’t require this stupid flatten-to-tiff workflow we have currently.

My biggest fear, is that the manual management facility – the ability to arbitrarily arrange projects with folders, subfolders etc will be lost. It’s a feature Aperture has, but which iPhoto does not, even when they share the same library. Tethering and fine-grained output options could potentially be replaced by third party plugins, but the representation of the library itself – the core functionality of the app is different between Apple’s two current photography apps, I would be surprised if that could be altered.

Right now, Aperture is a little under $90. If Photos is free, and the abilities of Aperture today can be aded as plugins for less than that, it could end up being a net win. If not, there’s app packages from Corel, DXO, and even Adobe if you’re a masochist.


Week 51 of 52

A lot of printing results came back this week, some of it great, some of it disastrous.

The Derby Daze [squareformat] book came in looking great, the printing looks nice, everything cool. Sadly not so much for The Metaning.

This brings up a bit of a problem – it seems like it’s not actually possible to get the work I’m doing printed through Apple’s Aperture printing

Looking at the options, it seems Blurb might be able to do the job for The Metaning, though it’s always irksome to have to pay a 25% premium to get rid of the Blurb logo.


More on Aperture Printing

After yesterday’s post on problems with a photobook produced and printed through Apple’s Aperture software, I thought I’d conduct a more thorough test. The conditions were setting up the same image as I’d used in Aperture, in Adobe InDesign, and Apple’s pages. The image was set up at the same physical size on the page, and then the page was output using various quality settings.

As can be seen, the basic problem is that Aperture is doing something in the PDF which puts white fringing on the black lines, which destroys them optically. In places in the book, the white fringing is more prominent than the black lines.

Recipes:

  • Aperture
    • The Print Proof when ordering a book.
  • InDesign CS5 Export to PDF
    • High Quality Print
    • Blurb print on demand books plugin quality
    • Smallest File Size
  • Pages Export to PDF
    • Good
    • Better
    • Best

Each pdf was then opened in Preview, the same area was zoomed to the same size on screen, and a screenshot of the window taken. Images were then opened in Photoshop CS5 and Saved for Web at 100% size with jpeg compression set to 100 / Maximum.


Aperture Printing Problems

I just received my first attempt at printing a fine art book of The Metaning with Apple’s Aperture printing service. There were major problems which make Aperture a no-go for this project.

This is the artwork for the cover spread, taken directly from the pdf proof Aperture generates prior to ordering the book. As you can see, the front cover on the right, and back cover on the left, each have design elements which align to centre, and have equidistant left and right gutters.

Here is what the actual printed product looks like. What has happened, as far as I can tell, is that the artwork was blown up in size, either to provide a bleed, or to accommodate the thickness of the spine. They’ve then centred the artwork to the front cover, which has meant all the horizontal growth pushes around to the back.

The other big problem is the compression used for the pdf files that get sent up to Apple’s print service. While it looks OK for photographs, when you have linework – high contrast changes from light to dark, the compression causes white fringing to occur. In this example, the image in the Aperture book maker is compared to its PDF output at the same size. As you can see, all of the lines have effectively lost their strength because they have their optical opposite right next to them.

Update: Further investigation of the problem shows a comparison of the PDF compression Aperture is using, as compared to InDesign, and Apple’s Pages app.


Week 50 of 52

This week has been dedicated to working on the print versions of The Metaning, as well as the print version of Derby Daze [squareformat]. Both have been ordered, and are awaiting delivery.

Other great news is that the new update to The Metaning on iBooks has been approved, and is now live.

There’s also been a whole bunch of administrative stuff surrounding my various accounts within Apple’s systems which I’ve been trying to sort out – it’s amazing the number of accounts I’ve accrued over the years

My plan for the next two weeks is to try and get one major piece of work finished each day. I’ve got the next Derby Daze ebook, and the first three parts of Surfing The Deathline to create.


Week 49 of 52

This week was dedicated to a couple of interesting admin-type stuff things.

An update to The Metaning was pushed out to correct some problems in the previous versions. Additionally, work continues on the print version in Aperture.

Speaking of Aperture, a lot of time was spent on studying the videos for Apple’s WWDC conference, and the future of aperture, which hasn’t had a major update in years. Suffice to say, things are looking good.

Finally, we had the UWS Peoples Choice award presentation, where I found out that efforts are being made in earnest to get my work sold.


Review: Brydge+ Keyboard

Opening disclaimer: I was provided with a “keeper” review unit by Brydge Keyboards.

My first laptop style device was an Apple eMate 300 – a NewtonOS based touchscreen laptop. Following that were a couple of generations of PowerBooks, before I moved to Mac Minis as my primary computing platform. However, the memory of the experience of using a touchscreen laptop stuck with me throughout my PowerBook days. While the Windows ecosystem seems to be jumping on the bandwagon of integrating touch into all computers, Apple has remained resolutely against it.

The argument proffered is that fatigue from holding ones arms up to a monitor – “gorillla arms” – makes touchscreens unsuited to desktop computer use, and since Apple’s laptops are desktop computers in a different form factor, no touchscreen for them.

To me, the laptop can be a fundamentally different device to the desktop, insofar as the screen is mere inches from the user’s hands, rather than the full arms length of an iMac or standalone monitor. That should allow for some different ideas about the ergonomics of these devices.

Using an iPad with an external keyboard has been a thing since day one. Apple even launched the iPad with a keyboard dock accessory. Most keyboards are in the form of a folio, or as a slab with a slot to prop the iPad at a specific, set, angle. The Brydge line of keyboards is something quite different – a keyboard with hinges which grip your iPad and make it function in the same way as a standard laptop screen.

The history of the Brydge is an interesting one. Originally started as a Kickstarter project, the company quickly met its funding goals, and moved into production. From here things appear to have become problematic – with customer service not appearing to be able to keep up with sales. Brydge was recently purchased by a trio of Singapore-based Australians, who have embarked on a program of upgrades to sales & customer response systems, and establishing local distribution centres in major markets. For orders in the US, UK or Hong Kong they’re claiming to be able to ship an order within 24 hours of it being placed. They’ve also knocked about a quarter off the prices of the two top models. The unit I’m testing, the Brydge+ With Speakers, has dropped from $199.99 to $149.99, for example. They also have a speaker-less version of the Brydge+ for $139.99 in the brushed aluminium, and $99.99 in polycarbonate.

The Brydge+, like the entire current range, is designed for the second to fourth generation full-size iPads. The hinges on the keyboard have removable rubber linings, which suit the various thicknesses the devices have come in. While it’s not strictly designed for it, you can see in the photos here that an iPad Air in one of Apple’s leather Smart Cases will fit in the iPad 3/4 hinge size. Brydge say they’ve got a new model due out in the 4th quarter of this year, targeting the smaller form factor of the Air.

As a keyboard, the Brydge feels identical to Apple’s aluminium bluetooth keyboard in terms of depth of keystroke and “clickyness”, albeit a bit smaller in size. The top row has a number of function keys, including a very handy home key in the top left. One problem with the current models is that one or two of the keys have lost their function due to changes in iOS 7. Unless you need single key access to slideshowing your photo collection, this isn’t likely to be a major concern.

The angle and setup of the hinges is such that as you open the “lid” the screen bezel drops downwards relative to the keyboard surface, much the same as it does in Apple’s MacBook Pro line. As this happens, the angle of the keyboard is raised slightly as the cam-like outer curve of the hinge lifts the whole laptop off the desk. The hinges have a strong enough friction that they can hold the screen at any angle, even all the way back to horizontal, and the keyboard itself has sufficient weight to prevent the whole thing from overbalancing (noting that I’m using an Air, which is significantly lighter than other generations of iPads). What this means, effectively, is that this is a truly lap-top capable “laptop” solution for the iPad. There’s no straps, or kickstands, and the screen doesn’t have to sit a third of the way in to the device. You can have it flat on a desk, or sit in bed with your knees up and rest it on your thighs. Ergonomically, it’s a laptop, without a trackpad you can accidentally bump your thumb on while typing.

This model also has stereo speakers behind a centre aligned grille, which provide a diffferent audio experience to the built in speaker. To my ears they’re not as rich in bass as the Air’s speaker, though if critical audio quality is your thing, you’d probably want a dedicated set of speakers, or some good headphones. The speakers need to be paired separately to the keyboard, however they increase the battery drain.

In terms of battery life, Brydge claims the battery should last “several months” without the speakers in use. Mine arrived sufficiently charged that it hasn’t needed any charging throughout writing this review.

To conclude, the Brydge+ looks like an Apple product, and feels like an Apple product. It’s a top-notch piece of hardware – solidly built from durable materials, and possessed of the sort of heft that inspires a viscerally positive feeling in use. It does exactly what it claims to do – turns the iPad into a highly functional laptop. My personal choice would be the Brydge+ without speakers, although as someone who finds the feeling of brushed aluminium distractingly like touching something that’s electrically live, I’d also strongly consider the polycarbonate version.

If this article was of use, a donation would help support my projects.


Week 48 of 52

It’s been a bad week.

I got news that I had missed out on a grant for which it would be hard to imagine I could have been any more perfectly suited. As a result, I’ve had to pull out of Sculpture By The Sea Bondi 2014. I simply don’t have the cash to make the work, nor do I have the time to think about crowdfunding etc.

This is a real blow, as I’d been planning for and working towards this work and exhibition for over a year. Unfortunately none of the other works I have in reserve were considered acceptable substitutions, as they were too different to the original. I feel like somewhat of a fool, having been telling people for over a year now that I was slated to exhibit.

On the plus side, I’ve learned how to make big changes to the layout of Aperture printed books, and as such I’ll be able to move ahead with the fine art print version of The Metaning, which turned out to be a lot cheaper than going through a local printer. The inability to easily edit layouts on a global basis was a major problem with Aperture’s book layout engine. Its master pages setup is quite opaque compared to something like InDesign, but once you discover the knack there’s a surprising amount of flexibility enabled.

Another bit of good news is that I managed to figure out what was causing a bug in The Metaning when read in iBooks on a Mac. It seems Webkit on the iPad is a little more forgiving of errors. Problem fixed, there’s just a little bit of cleanup to do, and a new version will be submitted.


Week 47 of 52

This week was spent on admin and comics. I’m still trying to get prices for printing. It’s looking reasonably good, except the photo books are larger than a digital press can do for their covers, so that’s going to be problematic.

I made what may turn out to be a reasonably big decision with regards to the final part of Surfing The Deathline. Originally slated to be a 66 page volume, I had a fresh look through it, and realised I could split it into 32 & 42 page episodes, taking the series to 5 parts. Since all books need to be a multiple of 4 pages, I had to add 3 and 2 content pages respectively to each book in order to get the pagecount to work. Below are the extra page roughs from what will be the new Surfing The Deathline 4:

What’s most important about these images is that they’re entirely digital – drawn in ProCreate from Tasmanian company Savage Interactive, using the Adonit Jot Touch stylus on the iPad. Sketching rough pages like this was a bit of a revelation – the ability to zoom, move, apply transforms and duplicate panels while drawing on the screen itself, brings an entirely different sensation for writing.

I also tried something I’ve not done before – tweeting each image with at-mentions of ProCreate and Adonit – both of whom at-mentioned me back with messages of support, so that’s an interesting experiment in social media.

Another change was to finally upgrade my Mac to run the current Mavericks version of Mac OS X. I held off till now, waiting until Apple added back the ability for iOS devices to sync contacts & calendar information locally, rather than having to send the data to the other side of the planet in order to move it 30cm.

That done, the new system seems to be pretty stable.

Another thing, I was approached by an iPad keyboard vendor to review their product. It’s pretty interesting bit of gear, so we’ll see how it goes.